This week I am knee deep in plotting. Following an edit meeting last week, my task now is to re-analyse my thriller novel and pick it apart, spot any plot holes, tie them back up.
I tell you what, this is a huge shocker. Seriously, I have had my plot pulled apart and picked so much that I feel like I’ve been spun round with a blindfold on then told to walk.
But no fear! Because – and I do mean this – it is all good. Yes, being asked questions about your plot is a right old tester, but without it, without questioning every single element of your story, you cannot get it to the very best it can be. And then it is bye-bye publishing deal.
All this editing has also meant re-visiting the main thesis and threads of my book. This is vital because the function of the plot is to communicate the thesis (theme). The thesis is like glue – without it, nothing sticks. So I have been today reminding myself what it’s trying to say in my novel and what I wanted it to be way back in the very first place. And all this has to be thought through in the context of the genre of the book. And breathe.
So, with all this in mind, I have for you this week a question. And it is this: What makes a good psychological thriller?
Below is a link from Wikipedia on this genre – see if it stacks up. What have you read that’s good and not so good? And what made it that way? Class – discuss. It will mess with your head.
Read the Wikipedia link here
**Coming soon: Interview with PFD’s Adam Gauntlett on submitting to agents**
Out tomorrow “Thursday Thoughts” where I post my latest Gazette newspaper column to my blog. This week I’m talking about the Severn Barrage in Gloucestershire…**